The Audio Amplifier
The Audio Amplifier
The beating heart of any sound system is the amplifier. Its invention is attributed to the coming of the first triode123 valve at the turn of the twentieth century to make the first AM radios. Since, the audio amplifier has unassumingly featured in all electronics’ products that are sound making while the limelight has shone on its various appendages. Items which, over the past century or so, have come and gone as often as the weather changes in Blighty 4. Amplifiers along with loudspeakers, in their various forms have been the main stayers in sound systems ever since.
While the loudspeaker is the mouth and larynx delivering the audio message, the amplifier is the heart pump that drives and controls its delivery. This is the same be it in a small transistor radio or a behemoth of a PA system at a Rock festival. The timing, the depth, the essence of the original sound and its recreation is ultimately dictated by the ability of the amplifier to take it from the level of a whisper to one that can excite the cones, horns and cans that tickle our ears and vibrate our floors. So as CD players have come and gone (nearly), Cassette players become specks on a landfill and as surely one day streamers become the ‘reel to reel’ of our children’s past, electron pumping amps and air moving ‘speakers will remain. Luckily the former is what we do, hear at Sonneteer 5.
The dawn of the digital age to riding the hybrid wave.
Despite their ever presence, audio amplifiers have not been static technologically. Here at Sonneteer we design with whatever fits the purpose. Every now and then we may also experiment with new things just to see where it will take us. When digital power amplification became a viable reality for audio products Sonneteer were right at the forefront. The Bronte amplifier for example started as a concept development on behalf of a technology partner which turned into an award winning product. We now, within our designs employ a mixture of electronics technologies, analogue and digital at any particular stage simply because it suits. The ultimate aim is performance. That is our goal. Our current range reneges not on that promise.
Where ever the music comes from we play on.
Music sources are changing and increasing in number almost daily. Gone are the times where one format displaces another completely. A format no longer dies, but becomes a niche. Every now and then there will be a nostalgia for it and it will have a mini revival. As the global population grows the more and more this will happen. Everything and everyone will have a champion or two however small. Accommodating everyone is impossible but since everyone who wants a music system needs an amplifier in it, somewhere, then as long as we can interface with them we are in a good place.
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- http://www.aes.org/aeshc/docs/audio.history.timeline.html ↩
- http://www.ehow.com/about_4899502_history-audio-amplifier.html ↩
- http://www.nobelprize.org/educational/physics/transistor/history/ ↩
- http://www.oxforddictionaries.com/definition/english/Blighty ↩
- http://www.sonneteer.co.uk ↩
- http://sonneteer.co.uk/home/magazine ↩